The Purdue University Online Writing Lab serves writers from around the world and the Purdue University Writing Lab helps writers on Purdue's campus. These resources follow the seventeenth edition of The Chicago Manual of Style, which was issued in Summary: This section contains information on The Chicago Manual of Style (CMOS) method of document formatting and citation. These resources follow The Chicago Manual of Style (17th edition), which was issued in Since The Chicago Manual of Style (CMOS) is primarily intended as a style guide for published works rather than class papers, these guidelines will be supplemented with information from, Kate L. Turabian’s · This section contains information on The Chicago Manual of Style method of document formatting and citation. These These resources follow the sixteenth edition of The Chicago Manual of Style, which was issued in September File Size: KB
Miscellaneous Sources // Purdue Writing Lab
This page is brought to you by the OWL at Purdue University. When printing this page, you must include the entire legal notice. All rights reserved. This material may not be published, reproduced, broadcast, rewritten, or redistributed without permission. Use of this site constitutes acceptance of our terms and conditions of fair use. This resource explains how to cite film, television, and other audiovisual materials. Citations for such recorded media usually include some or all of the following information: name of the person primarily responsible for the content of the recording composer, writer, performer, etc, owl purdue chicago manual of style.
Entries for recorded material found online should also include a DOI or URL. For audiovisual materials that are Internet-based, like YouTube videos or podcasts, see the OWL's page on citing Web Sources in CMOS, owl purdue chicago manual of style.
The order of the elements listed—and whether or not they will be included—depends not only on the nature of the source, but also whether a part or the whole source is cited, and whether a particular contributor is the focus of the citation. If you want to cite a specific moment in the film, like you would cite a page number in a print source, you can do so by citing the scene, as below. This need not be done in the bibliography, where you can cite the whole film, only in the note.
Use the scene title as given on the medium in which it is accessed; if scene titles are not available such as on a VHSyou cannot cite in this fashion. The format for citing a television show is similar to citing a film, but sufficiently different that it is worth providing some extra guidance. You must specify the number and title of the episode to which you are referring, of course. In addition, since owl purdue chicago manual of style shows are serialized rather than released all at once, you should cite by date aired rather than year released.
Note: If owl purdue chicago manual of style are accessing the show via a streaming service rather than on physical media, you can replace everything after the airing information with the relevant URL. This is owl purdue chicago manual of style necessary information, in both television shows and films, especially if there are extended or remastered editions in circulation. General audiovisual guidelines apply to music recordings.
If no date can be located, CMOS recommends consulting a library catalog or another source. Note that some musical recordings have writers who are not the primary performer s on the song, and that this affects the citation; see example 2.
Citing an audiobook, a published recording of a poetry reading, or anything along those lines requires information familiar from the guidelines both for musical recordings and print media. The format is as follows:. Live performances of content, such as plays, concerts, or similar, obviously cannot be consulted by your reader, and therefore need not be given a bibliographical entry.
However, if for whatever reason you need to use one as a source, you should include a citation in note form, as follows:. Obviously, this will vary widely based on what kind of live performance you are citing, so here are two different examples to show the potential range — a play and a music festival. The first example above assumes that you are discussing the play as a whole, rather than, for example, focusing on the lighting design or the acting — if you were discussing other aspects, you would want to cite different people such as the lighting designer or some of the actors.
Likewise, the second example assumes that you are focusing primarily on the performance of one specific band at the festival; if you were attaching this note to a discussion of the festival as a whole, you might want to cite multiple bands, and possibly some of the people responsible for organizing the event.
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Purdue Online Writing Lab College of Liberal Arts. Writing Lab Purdue OWL Research Contact Site Map. Research and Citation Chicago Style CMOS Formatting and Style Guide. Welcome to the Purdue OWL This page is brought to you by the OWL at Purdue University.
Audiovisual Recordings and Other Multimedia This resource explains how to cite film, television, and other audiovisual materials. Note that the examples below are in the Notes and Bibliography NB format. General Model for Citing Film, Television, and Other Recorded Media in Chicago Style The order of the elements listed—and whether or not they will be included—depends not only on the nature of the source, but also whether a part or the whole source is cited, and whether a particular contributor is the focus of the citation.
Lastname, Firstname. Title of Work. Lastname, Firstname, dir. Joe Versus the Volcanodirected by John Patrick Shanley ; Burbank, CA: Warner Home Video,DVD. Shanley, John Patrick, dir. Joe Versus the Volcano. Snodgrass, featuring Patrick Stewart, Brent Spiner, and Whoopi Goldberg, aired February 13,in broadcast syndication, Paramount,Blu-Ray. Snodgrass, Melinda M, writer. Star Trek: The Next Generation.
Aired February 13,in broadcast syndication. Paramount,Blu-Ray. Name of group or composer or performer. Contributing personnel, owl purdue chicago manual of style. Recording date. Recording Company or Publisher, medium. Dylan, owl purdue chicago manual of style, Bob. Track 3 on Modern Times. Columbia, compact disc. Charles, Ray. Recorded March Track 2 on The Genius Hits the Road.
ABC-Paramount, owl purdue chicago manual of style, vinyl LP. Location of speech. Medium, running time. Information on where the recording can be found. Morrison, Toni. Grand Hall of the Swedish Academy, Stockholm, Sweden. Owl purdue chicago manual of style, Firstname Lastname, Titleread by Firstname Lastname City: Publisher, yearmedium, running time.
Read by Firstname Lastname. City: Publisher, year. Matt Ruff, Lovecraft Countryread by Kevin Kenerly Ashland, OR: Blackstone Audio,Audible audio ed. Ruff, owl purdue chicago manual of style, Matt. Lovecraft Country. Read by Kevin Kenerly. Ashland, OR: Blackstone Audio, Audible audio ed. She Kills Monsterswritten by Qui Nguyen, dir. Amy Lynn Budd, Yue-Kong Pao Hall of Visual and Performing Arts, West Lafayette, IN, April 12, The Baltimore Mixtapefeat. HexGirlfriends et al.
Create Chicago-style footnotes in MS Word
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Welcome to the Purdue OWL. blogger.com This page is brought to you by the OWL at Purdue University. When printing this page, you must include the entire legal notice. Copyright © by The Writing Lab & The OWL at Purdue and Purdue · This section contains information on The Chicago Manual of Style method of document formatting and citation. These These resources follow the sixteenth edition of The Chicago Manual of Style, which was issued in September File Size: KB Summary: This section contains information on The Chicago Manual of Style (CMOS) method of document formatting and citation. These resources follow The Chicago Manual of Style (17th edition), which was issued in Since The Chicago Manual of Style (CMOS) is primarily intended as a style guide for published works rather than class papers, these guidelines will be supplemented with information from, Kate L. Turabian’s
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